At one end of John Krasinski’s 2016 career axis, there is Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi, a grimy, violent, jingoistic rah-rah war movie laden with soldierly brooding and naked disdain for desk jockeys, pencil pushers, and other such pejoratives reserved for educated bureaucratic types. In the age-old contest between brains and […]
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